an iphone with a number of dating apps installed.

Dating Apps: Capitalism & Isolation as the Norm

Like many single people, I’ve invested time over the last year or so in various dating apps. I’d used them off and on before that, but never for any extended period of time. Over the last year I’ve learned some things that I didn’t understand before.  First, unlike many people, I believe that every action I take is guided by ideology. A lot of people don’t believe that because they probably don’t understand what’s meant by the term ideology. It simply means the values behind the thoughts that drive your actions. Using that definition, it’s difficult for anyone to seriously . . .

Dave Chappelle as homeless addict Tyrone Biggums in Chappelle's Show

Dave Chappelle and the Disposability of Poor Black People

The fact that Dave Chappelle grew up in a professional class setting and now holds millionaire status should cause viewers to interrogate the class components of his standup. Not having an intimate connection with the poor Black communities who may be harmed by his rhetoric is a feature of his class privilege. . . .

Malcolm X and Muhammad Ali with their children - a still from the Netflix documentary Blood Brothers

A Critical Review of “Blood Brothers” on Netflix

The Netflix produced documentary “Blood Brothers – Malcolm X & Muhammad Ali” is the latest example of their efforts to exploit our unwillingness to critically study our own history in ways that would force us to learn to think outside of the paradigms that they provide for us. . . .

A shadow puppet scene depicting police terrorism from the movie Candyman

“Candyman” and the Impact of White Supremacy

That long history of racist violence against Black men is told in cleverly laid-out shadow puppetry, which simultaneously removes the physical gruesomeness of the acts portrayed while delivering their inhumane brutality. Each shadow-puppet story relates to a different iteration of Candyman, and the collective trauma of centuries of violent racist brutality against Black men turns the Candyman figure into something other than a villain. Terrifying in his visage and actions, certainly, but the question emerges as the connections are made between this history and the urban legend come to life: Is Candyman the monster, or is the monster what created Candyman? . . .

TOKYO, JAPAN - JULY 27: Simone Biles talks with Jordan Chiles of Team United States during the Women's Team Final on day four of the Tokyo 2020 Olympic Games at Ariake Gymnastics Centre on July 27, 2021 in Tokyo, Japan. (Photo by Laurence Griffiths/Getty Images)

African Athletes, U.S. Patriotism & White Supremacy

During the 2020 Olympic games (which due to the pandemic, are being carried out in the summer of 2021) gymnast Simone Biles suddenly withdrew from competition for the U.S. team. Biles, who has been so dominant in her performance over the last several years that she has earned the title GOAT, has been so outstanding that many judges have admitted being confused about how to properly evaluate other gymnasts in comparison to her incredible capabilities.  Biles, apparently feeling pressure to justify her decision to withdraw, took the painful step of revealing publicly that she has struggled with depression and needed . . .

Reggae and the African Culture of Resistance

Reggae and the African Culture of Resistance

Reggae—roots reggae specifically—is one of many overt cultural manifestations of resistance and radical movements. Though reggae did not directly come out of Africa, its main component, the drums, is a strong and pure African influence. The drums are the very first thing one hears in most reggae songs—and that’s for a reason. The drums are the heartbeat of any reggae song. . . .

As Usual, Most Of Us Miss The Point on Ice Cube & “Platinum Plan”

Rapper/actor/entertainer Ice Cube has worn many hats throughout his professional career.  He started as a so-called gangsta rapper with the impactful group NWA in the late 80s.  Then, he joined forces with Dr. Khalid Abdul Muhammad and the Nation of Islam to become a hardcore Black nationalist rapper in the early 90s.  That phase devolved into him making several high profile records with Mac 10 and WC as the “Westside Connection.”  Records that were part gangsta, part party animal.  Finally, he moved into mainstream motion pictures. Most recently, he rotated back into the struggle for African self-determination with many public . . .

On Breonna, Oluwatoyin, & Posthumous Iconography Of Murdered Black People

On Breonna, Oluwatoyin, & Posthumous Iconography Of Murdered Black People

The surviving family and friends of the dead are constantly accosted by aesthetically pleasing merchandised images of the people violently abducted from their lives. In the hands of social media, and opportunists, this tradition becomes another installment of a Ford-assembly line-like process of transforming a murdered Black person into a ubiquitous trademarked symbol of social justice. . . .